The 2026 design exhibitions you will want to see
2026 is shaping up to be an exciting year for design lovers, with an array of global design exhibitions set to be staged at some of the world’s most celebrated institutions. Our exhibition calendar includes retrospectives of design legends, from Verner Panton to Lella and Massimo Vignelli, and in-depth looks at the work of giants such as Isamu Noguchi and Alessandro Mendini.
We also can’t wait to delve deeper into the archives of some of our favourite grandes dames of design, with shows dedicated to Hella Jongerius, Es Devlin and Sabine Marcelis.
Below are the institutional exhibitions we are most looking forward to – mark your diaries, and don’t miss our 2026 design fairs calendar too.
2026 design exhibitions to discover
‘Fungi: Anarchist Designers’ at Nieuwe Instituut, Rotterdam
(Image credit: Aad Hoogendoorn)
This groundbreaking design exhibition curated by anthropologist Anna Tsing and designer Feifei Zhou presents fungi as ‘radical designers in a world beyond human control’. On view at Rotterdam’s Het Nieuwe Instituut, the display explores how mushrooms and moulds can cause decomposition, death and destruction, but also explores their potential to work together with human and non-human life. The curator commissioned seven new installations for the exhibition, created by designers working closely with scientists, and also includes artworks from artists such as Olafur Eliasson and Annicka Yi. The thought-provoking exhibition aims to challenge our perception of design while answering the question, what can we learn from non-human life?
Until 8 August 2026, Nieuwe Instituut, Museumpark 25, 3015 CB Rotterdam
Alessandro Mendini at Estorick Collection, London
(Image credit: Courtesy Estorick collection)
The first solo exhibition of Alessandro Mendini’s work in the UK, this show features a curation of over 50 pieces, ranging from furniture and drawings to paintings, rugs and objects. The playful poetry of Mendini’s work is explored through the artistic references and inspirations that helped shape his career. Among the connections woven by the exhibition are those with Futurist artist Fortunato Depero, to whom the designer dedicated two works in fabric, and Wassily Kandinsky’s abstract paintings, referenced in Mendini’s Kandissi sofa.
16 January – 10 May 2026, Estorick Collection, 39a Canonbury Square, London N1 2AN
‘Noguchi’s New York’ at The Noguchi Museum
(Image credit: Donna Svennevik)
Isamu Noguchi first arrived in New York City in 1922 and, despite his globe-spanning career in art and design, the city remained a base for him throughout his life – and its material, cultural, social and political landscapes a profound influence on his ideas and work. In turn, Noguchi left his own mark on the city – with public art proposals and communal spaces designed for engagement and play (many of which faced opposition from figures such as NYC Parks Commissioner Robert Moses). Coinciding with the 40th anniversary of the inauguration of The Isamu Noguchi Foundation and Garden Museum, this exhibition examines Noguchi’s enduring efforts to give back to the city that inspired him. It also celebrates the museum itself as one of his most lasting contributions to New York, highlighting the dialogue between art and surroundings that defined Noguchi’s vision and legacy.
4 February – 5 July 2026, The Isamu Noguchi Foundation and Garden Museum, New York
‘Art of Noise’ at Cooper Hewitt, New York
(Image credit: Courtesy Cooper Hewitt Design Museum)
This major exhibition examines how design has shaped the way we experience music over the last century. From concert posters and album covers to the design of radios, phonographs, digital players and sound systems, ‘Art of Noise’ brings together over 300 objects from the collections of Cooper Hewitt and the San Francisco Museum of Modern Art to reveal how designers have influenced our relationship with sound. The exhibition also features dynamic audio environments by Stockholm-based Teenage Engineering and multidisciplinary artist Devon Turnbull, inviting visitors to engage with sound and design in entirely new ways – from custom listening rooms to innovative seating environments – showing how visual and industrial practices both reflect and shape cultural, technological and social shifts in music.
13 February – 19 July 2026, Cooper Hewitt, Smithsonian Design Museum, New York
‘Hella Jongerius: Whispering Things’ at Vitra Design Museum, Weil am Rhein
(Image credit: Courtesy Hella Jongerius and Vitra Design Museum)
The first retrospective of Hella Jongerius’ work, this exhibition follows the Vitra Design Museum’s acquisition of her archives and charts the Dutch designer’s creative trajectory across several disciplines, including textiles, ceramics, furniture, lighting, and sculpture. Alongside the archives will be an overview of Jongeriuslab, the designer’s studio, and its unique approach to creativity, shaped by a mix of ‘layering ideas, drawing connections, emphasising materiality, exposing process, and researching deeply, with a dedication to craft, colour, and cosmic thinking’.
14 March – 6 September 2026, Vitra Design Museum, Weil am Rhein, Germany
‘Lella and Massimo Vignelli’ at Triennale Milano
Heller ovenware by Lella and Massimo Vignelli
(Image credit: Austin Calhoon)
A major retrospective dedicated to the work of Lella and Massimo Vignelli, this exhibition is a testament to the designers’ crucial impact on popular culture through product design and visual communications. The Vignellis left post-war Milan and settled in New York to establish their studio in 1965, and their ‘intellectual and human journey’ is narrated through a curated selection of objects, furniture, interiors, drawings, models, sketches, photographs, manuals, trademarks, books, covers, and magazines. The exhibition is designed by Jasper Morrison, and created with the support of the Vignelli Center for Design Studies at the Rochester Institute of Technology (USA), which preserves more than 750,000 objects from the studio’s history.
25 March – 6 September 2026, Triennale Milano, Viale Alemagna 6, Milan
‘Verner Panton: Form, Colour, Space’ at Vitra Schaudepot, Weil am Rhein
(Image credit: Vitra Design Museum)
It’s no exaggeration to say that Danish architect and designer Verner Panton (1926-1998) transformed furniture, interiors, fabrics, lamps and buildings with his bold forms, vibrant colours and visionary ideas. In 2026, he would have celebrated his 100th birthday; to mark the occasion, the Vitra Design Museum’s Schaudepot exhibition – one of the most significant collections of Panton’s designs – is presenting his work chronologically and thematically. The exhibition highlights iconic pieces such as the ‘Panton’ chair and the 1970 ‘Visiona II’ installation; it also reconstructs the designer’s 1970 ‘Fantasy Landscape’, a walk-in environment that transformed the way people experienced space, colour and form. The exhibition places Panton’s work in its historical context, examining his innovations in materials and production, the postwar social shifts that shaped his designs, and the influence of the Space Age.
23 May 2026 – 9 May 2027, Vitra Design Museum, Weil am Rhein, Germany
Es Devlin at the Design Museum, London
(Image credit: Courtesy of the Cooper Hewitt, Smithsonian Design Museum)
This is the first major UK survey of Es Devlin’s 30-year career, showcasing her work across sculpture, performance and light installations. Operating at the intersection of art, performance, architecture and technology, Devlin is known for elevating stage design to an art form. Her work treats audiences as ‘temporary societies’ – rather than serving as a backdrop, it shapes how people gather, move and feel within a space, whether that’s through kinetic stage sculptures for artists like Beyoncé, U2 and The Weeknd, or monumental installations for events such as the Olympic ceremonies and Super Bowl halftime show. Developed in close collaboration with Devlin, this retrospective features rare maquettes, sketches, annotated texts and process materials alongside new sculptures and installations created specifically for the exhibition, highlighting her transformative influence on contemporary art and design while revealing the ideas and processes behind her most ambitious work.
18 September 2026 – 11 April 2027, Design Museum, London
‘Haas Brothers: Uncanny Valley’ at Blanton Museum, Austin, Texas
(Image credit: Courtesy Haas Brothers)
In the 15 years since establishing their design studio, twin brothers Nikolai and Simon Haas have crafted a world filled with magical creatures and larger-than-life biomorphic ideas that also happen to be brilliant design objects. This exhibition at the Blanton Museum of Art explores the Austin natives’ magical output; discover sculptural objects made in a variety of techniques and materials, including porcelain, bronze, wool, glass beads, fur, and more.
26 September 2026 – 17 January 2027, Blanton Museum of Art, The University of Texas at Austin, 200 E Martin Luther King Jr Blvd
‘Sabine Marcelis – Light and Color’ at Museum für Gestaltung Zürich
(Image credit: Rami Mansour)
Sabine Marcelis’ first museum exhibition is dedicated to the Dutch designer’s impeccable colour and light work, exploring the past few years’ output alongside newly commissioned light pieces. On view at Zürich’s Museum für Gestaltung, the show presents an insight into Marcelis’ practice, with samples and material studies offering a look behind the scenes of her work, combined with a carefully conceived spatial experience that honours her expressive designs.
30 October 2026 – 14 March 2027, Museum für Gestaltung Zürich, Pfingstweidstrasse 96
‘The Nue Black Aesthetic’ at the Design Museum, London
Interplay table by Giles Tettey Nartey
(Image credit: Neil Godwin at Future Studios for Wallpaper*)
This landmark exhibition highlights contemporary Black designers who are reshaping the British and global design landscape. Ambitious and wide-ranging, it encompasses furniture, architecture, fashion and installation. The featured designers, including the likes of Mac Collins, Samuel Ross, Bianca Saunders and Giles Tettey Nartey, draw on identity, culture and community to create work that reflects the complexities of modern Black experience. The exhibition situates this work within a broader historical context, referencing movements such as the Black Aesthetic of the 1960s and the New Black Aesthetic of the 1980s, while interpreting these legacies for today’s landscape. ‘The Nue Black Aesthetic’ reveals the transformative ways Black designers are shaping design, as well as inviting audiences to rethink entrenched narratives about who defines it.
6 November 2026 – 8 August 2027, Design Museum, London
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